![]() ![]() Bob and his team have a shootout with Ava. “Let’s Think About Living” by Bob Luman (00:25): Bob exits a vehicle.“Heartlight” by Neil Diamond (00:15): Taco (Max Casella) stands outside a store.“Gimme Some Lovin’” by The Spencer Davis Group (00:01): The Kaleidoscope soundtrack song plays during the opening scene.Read More at VV - Soundtracks of Television: ‘Black Butterflies’ Kaleidoscope Soundtrack: Every Song in “Pink” Leo and his team flee in a boat as the episode ends. The music continues during a transition scene. “Can You Get to That” by Funkadelic (00:31): Roger opens his safe and states that he needs to call his attorney.FBI agents discover Detective Fuentes’ body. The Kaleidoscope soundtrack song plays as she flees with her team. “Outa-Space” by Billy Preston (00:26): Ava (Paz Vega) shoots Detective Fuentes.He speaks with Barbara (Stacey Oristano). “Good Queen Bess” by Johnny Hodges (00:16): Detective Miguel Fuentes enters a store.Leo once again narrates about his plan falling apart. “Fitzpleasure” by alt-J (00:01): Leo swims in a vault.He narrates about his plan falling apart. “Better Things” by Sharon Jones & The Dap-Kings (00:00): The Kaleidoscope soundtrack song accompanies the opening sequence.Read More at VV - Soundtracks of Television: ‘The Watcher’ Kaleidoscope Soundtrack: Every Song in “Red” “You’re Up to Your Same Old Tricks Again” by Bettye Swann (00:36): Lily puts on headphones.“Cover Me” by Bettye Swann (00:23): Lily walks around in her home.He closes the front door and holds a beer. ![]() “None of Us Are Free” by Solomon Burke (00:00): The Kaleidoscope soundtrack song scores the opening sequence.Read More at VV - Soundtracks of Television: ‘From Scratch’ Kaleidoscope Soundtrack: Every Song in “Violet” Read More at VV - Soundtracks of Television: ‘1899’ Kaleidoscope Soundtrack: Every Song in “Orange” ![]() Leo’s hand shakes from Parkinson’s disease. The Kaleidoscope soundtrack song plays from within his home. Wright (00:20): Leo eats a meal and thinks. Read More at VV - Soundtracks of Television: ‘Wednesday’ Kaleidoscope Soundtrack: Every Song in “Blue” “Your Feet’s Too Big” by Fats Waller (00:10): Dr.He narrates about various types of criminals. Leo sits in a jail cell seven years before the focal heist. & the M.G.’s (00:00): The Kaleidoscope soundtrack song plays during the opening sequence. Read More at VV - Soundtracks of Television: ‘Firefly Lane’ Kaleidoscope Soundtrack: Every Song in “Green” The Kaleidoscope soundtrack song continues as various garbage cans explode. “Sympathy for the Devil” by The Rolling Stones (00:32): Judy (Rosaline Elbay) wears a blonde wig during a heist.Kaleidoscope Soundtrack: Every Song in “Yellow” Read More at VV - Soundtracks of Television: ‘The Recruit’ Kaleidoscope Soundtrack: Every Song in “Black” Composer Dominic Lewis ( Spirited) scored the Netflix miniseries, which features a variety of retro needle-drops. The storyline jumps back and forth in time to fully explain Leo’s motivations for a heist. Rufus Sewell co-stars as Roger Salas aka Graham Davies, a business mogul who runs a security company. Kaleidoscope stars Giancarlo Esposito as Leo Pap aka Ray Vernon, a criminal who plots against his former partner. This info article contains spoilers and song details for Eric Garcia’s 2023 Netflix miniseries. Visit the Soundtracks of Television section for more Vague Visages music guides. Much of his content is figurative and often satirical, with an occasional touch of the macabre, all splendidly held together like jewellery”.The Kaleidoscope soundtrack includes music by O.V. The literary references remain though, with clues and visual puns stuck in for those in the know. ![]() Max’s musical aspirations never took off but the world of collage gained an artist whose technique, according to Sunil, “has been refined and the themes grown subtle, showing deft touches. But I realised that I was watching someone special, who didn’t mind making an ass of himself and couldn't give a damn! Later, he took me home and showed off his considerable collection of records and fanzines, proclaiming he was going to be a rocker.” I was standing on a street corner, aged about 20, proudly holding on to one of their early albums, when up came this gangly white-skinned lad, some years my junior at school, and began singing songs from the record and dancing around me Jagger-like, shaking imaginary maracas and rolling his eyes. Sunil spoke of his association with Max, “It was the Rolling Stones who brought us together. ![]()
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